Advanced technology and manufacturing techniques have produced a market with wide quality variations some better than others, but most reproduce mediocre sound intelligibility and listener satisfaction. Speakers and amplifiers are the first thing most people think of when contemplating sound equipment. But that aside, most of the newer professional digital audio equipment is capable of sampling rates of 96kHz or greater, setting the standard for our listening experiences and expectations. Home stereo enthusiasts or professional audio technicians may debate the virtues of analog vs. Most music listening services have a choice of perceivable format quality (MP3, WAV, etc.). High definition audio is defined as greater than 44.1kHz sampling rate/16-bit which is the specification of a standard compact disc. All that and a background in music and ear training has provided me with acute listening skills.” Of all my friends, I was the only one with a reel-to-reel tape machine. And I had a belt-driven manual turntable with moving coil cartridge, of course. “I had a pre amp/amp and tuner, no receiver for me. “Even as a youngster, I would always save my lawn cutting and paper route earnings to buy the best stereo equipment I could afford,” says Bill. We should expect the same from our listening experience. Technology, innovation and affordability keep raising expectations for all video sources from gaming to movies to even a corporate power point and graphics presentation. He wants his customers to receive the best possible listening experience, an experience comparable to the HD/4K video quality that consumers have come to expect. Bill Mester, president of StageTech, has always invested, in fact, insisted on the best quality sound technology available.
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